Dear Ron:
In case you were wondering I did attend the Chicago Jazz Festival this Labor Day Weekend and I noticed a few changes.
In addition to the weekend concerts at the 3 Grant Park stages and the Friday afternoon Cultural Center concerts, Thursday and Friday featured evening concerts at nearby Milllennium Park. I missed Thursday and Friday afternoon, but was at the park all day Saturday and Sunday. .
Flautist and composer Nicole Mitchell, who has performed in Cincinnati several times for the Loft Society, was the festival artist-in-residence, performing with 5 groups in 3 days.. I saw her with her Black Earth Orchestra, premiering a composition written for the festival, and the smaller Black Earth Ensemble, with special guest harpist Edmar Castaneda.
Pianist Ramsey Lewis became very popular during the 60s thru hit records such as "The In Crowd" and his version of the spritual "Wade In The Water". Now 75 years young,, the Chicago native closed Friday evening Victor Lewis
at Millennium Park with a joyous birthday celebration featuring new versions of his hits, some swinging gospel songs, and some newer unmamed compositions, earning a rousing standing ovation.
While again I noticed less local or regional participation than in years past, I was treated to a great surprise. While catching the fire from drummer Dana Hall's killer quintet Saturday, with trumpeter Nicholas Payton, subbing for Terell Stafford(!), someone tapped me on the shoulder. I turned around and there was Anthony Lee. The former Cincinnati resident now lives in Brooklyn and was in the quartet of another former Cincinnatian, former CCM professor Brad Goode, whose quartet played Sunday afternoon. at Grant Park and Sunday morning at the Jazz Record Mart. Now teaching at the University of Colorado, Goode also sat in with another current Colorado resident, vocalist Rene Marie, who I recall performing a at a well attended outdoor concert at Central State Universsity several years ago.. By the way, Hall had a release party for his debut CD at the Blue Wisp in January of this year. (I think I saw you there) After Marie's excellent Saturday evening set came my favorite performance of this year's festival, the Lee Morgan tribute. Conceived by Trumpeter David Weiss and boasting a front line of Billy Harper, Eddie Henderson, and Bennie Maupin, and a rhythm section of George Cables, Dwayne Burno, and Victor Lewis, this is a true 'all-star" group .After the grand introduction to Harper's "Capra Black" I knew we were in for a memorable musical experience. They ended the set with Morgan's all time classic "The Sidewinder", which got some people dancing in the aisles
Sunday afternoon I had to deal with the dilemma of 2 groups I wanted to see on at the same time, Chicago vocalist Saalik Ziyad's 5 after 7 Project and drummer Brian Blade's Fellowship.. Ziyad played in Newport KY for the Loft Society a day earlier, so I wanted to see what I'd missed, since I usually MC the shows there, while Blade is simply one of the baddest drummers on the scene. So I caught the first half of Ziyad's set, really digging his version of Joe Henderson's "Black Narcissus", and the last half of the Fellowship, where Myron Walden's passionate alto and Blade's dynamic drumming brought the house down.. Speaking of drummers , Vocalist Kurt Elling's group ended the festival on a high note displaying his style and versatility on old standards and jazzy versions of recent pop songs. His group featured a killing young drummer who I had never heard of. His name is Ulysees Owens Jr. and I can't wait to hear him behind some horns. And as always, here are a few photos to share with my fellow Jazz Advocate readers. Till the next time...
In case you were wondering I did attend the Chicago Jazz Festival this Labor Day Weekend and I noticed a few changes.
In addition to the weekend concerts at the 3 Grant Park stages and the Friday afternoon Cultural Center concerts, Thursday and Friday featured evening concerts at nearby Milllennium Park. I missed Thursday and Friday afternoon, but was at the park all day Saturday and Sunday. .
Flautist and composer Nicole Mitchell, who has performed in Cincinnati several times for the Loft Society, was the festival artist-in-residence, performing with 5 groups in 3 days.. I saw her with her Black Earth Orchestra, premiering a composition written for the festival, and the smaller Black Earth Ensemble, with special guest harpist Edmar Castaneda.
Pianist Ramsey Lewis became very popular during the 60s thru hit records such as "The In Crowd" and his version of the spritual "Wade In The Water". Now 75 years young,, the Chicago native closed Friday evening Victor Lewis
at Millennium Park with a joyous birthday celebration featuring new versions of his hits, some swinging gospel songs, and some newer unmamed compositions, earning a rousing standing ovation.
While again I noticed less local or regional participation than in years past, I was treated to a great surprise. While catching the fire from drummer Dana Hall's killer quintet Saturday, with trumpeter Nicholas Payton, subbing for Terell Stafford(!), someone tapped me on the shoulder. I turned around and there was Anthony Lee. The former Cincinnati resident now lives in Brooklyn and was in the quartet of another former Cincinnatian, former CCM professor Brad Goode, whose quartet played Sunday afternoon. at Grant Park and Sunday morning at the Jazz Record Mart. Now teaching at the University of Colorado, Goode also sat in with another current Colorado resident, vocalist Rene Marie, who I recall performing a at a well attended outdoor concert at Central State Universsity several years ago.. By the way, Hall had a release party for his debut CD at the Blue Wisp in January of this year. (I think I saw you there) After Marie's excellent Saturday evening set came my favorite performance of this year's festival, the Lee Morgan tribute. Conceived by Trumpeter David Weiss and boasting a front line of Billy Harper, Eddie Henderson, and Bennie Maupin, and a rhythm section of George Cables, Dwayne Burno, and Victor Lewis, this is a true 'all-star" group .After the grand introduction to Harper's "Capra Black" I knew we were in for a memorable musical experience. They ended the set with Morgan's all time classic "The Sidewinder", which got some people dancing in the aisles
Sunday afternoon I had to deal with the dilemma of 2 groups I wanted to see on at the same time, Chicago vocalist Saalik Ziyad's 5 after 7 Project and drummer Brian Blade's Fellowship.. Ziyad played in Newport KY for the Loft Society a day earlier, so I wanted to see what I'd missed, since I usually MC the shows there, while Blade is simply one of the baddest drummers on the scene. So I caught the first half of Ziyad's set, really digging his version of Joe Henderson's "Black Narcissus", and the last half of the Fellowship, where Myron Walden's passionate alto and Blade's dynamic drumming brought the house down.. Speaking of drummers , Vocalist Kurt Elling's group ended the festival on a high note displaying his style and versatility on old standards and jazzy versions of recent pop songs. His group featured a killing young drummer who I had never heard of. His name is Ulysees Owens Jr. and I can't wait to hear him behind some horns. And as always, here are a few photos to share with my fellow Jazz Advocate readers. Till the next time...
Greg Turner
Jazz Community: Jazzing Up the Holidays After Five” — By Bev Jackson — JazzTimes
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